Garden Design Study Group

Garden Serenity

Chris Larkin

From the February 2010 issue of the Study Group Newsletter.



(Everything that follows is predicted on the idea that plants are integral to a garden. In other words I'm not talking about a concrete jungle or a sculpture garden, or a Japanese stone garden etc.)

It was something said on the radio this morning that got me thinking. The person being interviewed on Radio National's Design program, an eco-architect, referred to a statement made by another architect. The statement was something like - the main point of (good) architecture is to produce a feeling of serenity.

I like this idea; I relate to this idea. Whether you agree with it or not what informs this idea is the notion that architecture has the ability to move us, to work on our emotions. By implication architects design environments that will make us feel . . . something. Garden design can and will also make us feel something. There are lots of questions that need to be answered when developing a garden. One of the overarching questions is "how do you want to use the garden?" Another arguably more difficult question is "how do you want the garden to make you feel?"

I am sitting here watching a family of superb blue wrens hop around the garden, drink and bathe in a large terracotta bowl. Their wren-hopping ways interspersed with short flights makes me smile. One of my favourite little birds, a spotted pardalote, has landed on the edge of another bowl. I'm privileged but not entirely lucky unless you count the fact that cats haven't dispatched these beauties yet. I created this garden to provide a haven for birds and other wildlife like frogs and lizards and insects. It makes me feel good to share my space with the natural world because I see that as important. Wildlife habitat is just one of the things that underpinned my choice of garden design and plant selection. Just as much I wanted a garden that makes me feel relaxed. How to achieve this effect is much, much more complex as, for me at least, it relies on so many things like:

  • Curved pathways and/or foliage creeping out onto pathways to soften hard edges.
  • Soft foliaged plants that weep; growth habit that is decumbent and relaxed.
  • reas of dappled shade balanced with open sunny areas for seasonal amenity and light effects.
  • Plant choices and arrangements that create an increased sense of open space.
  • Pleasing arrangements of plant foliages to complement and contrast-enough variation to be interesting and enough sameness to soothe.
  • Sufficient repetition of the same or like plants to produce a feeling of ease rather than something that is overly busy.

And this list could go on and on. This is the complexity of garden design.


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